Marcus Brutus The True Tragic Hero in Julius Caesar, by...

The play Julius Caesar, written by William Shakespeare, starts out with a celebration in 44 BC Rome exactly one month before the Ides of March, which is when a group of conspirators plan on murdering Caesar. Cassius, the leader of the conspiracy, tries to recruit Marcus Brutus into the group because he believes it will make them look less like murderers and more like heroes. He agrees and helps carry out the assassination. The story continues after Caesar’s death with a series of disagreements between characters and ultimately a civil war involving Brutus and Cassius and their armies, and Mark Antony’s army. Even though the play is called Julius Caesar, Marcus Brutus is the real tragic hero because he is very well respected, he assumes everyone thinks the same way as him, and he ends up killing himself. Brutus is always very well respected because he was very close to Caesar and an important part in his senate. His decision is always final in the play. For example, the conspirators are not sure if they want to include Cicero in the group but Brutus does not want Cicero to join, so they decide not to include him. Another example would be when the group contemplates killing Mark Antony. Brutus argues that they would look like murderers if they killed Antony, so it they decided against killing Antony. When Brutus and Cassius have different ideas about how they should attack Antony’s army, Cassius says, â€Å"Then with your will go on; We’ll along ourselves, and meet them atShow MoreRelated Marcus Brutus as Tragic Hero in Shakespeares Julius Caesar Essays735 Words   |  3 PagesMarcus Brutus as Tragic Hero in Shakespeares Julius Caesar      Ã‚   In many stories there is a tragic hero. The hero finds out about himself and the people around him in the story. In Shakespeares play, Julius Caesar, Marcus Brutus is the tragic hero. The play Julius Caesar is about politics and betrayal in ancient Rome. Brutus is part of the senate, which is below Caesar, who is soon to be crowned. The senate wants to overthrow Caesar to save Rome. To do this the senate has to get BrutusRead MoreExamples Of Tragic Hero In Julius Caesar905 Words   |  4 Pagesbecome a hero until he can see the root of his own downfall.† By Shakespearean definition, a tragic hero is someone of high position such as a nobleman, who has hamartia, a tragic flaw that leads to his downfall, and even his demise. This is strongly illustrated in Julius Caesar by William Shakespeare, where Marcus Brutus’ desire to remain noble and honourable leads him to naivety and self destruction. The plot of the play revolves around removing power from Caesar, causing the inability of Marcus BrutusRead MoreJulius Caesar the True Tragic Hero1526 Words   |  7 Pagesdoesn’t become a hero until he can see the root of his own downfall.† These words best describe what a â€Å"Tragic Hero† is and both Julius Caesar and Brutus displayed this characteristic, so the question is â€Å"Who is the real tragic hero in this story?† This paper shall explore the reasons behind why each man is considered a hero in his own right and who the rightful owner to the title of the play truly belongs to. There have been countless tragic heroes in the works of William Shakespeare such as MacbethRead MoreMarcus Brutus: Shakespeares Tragic Hero in The Tragedy of Julius Caesar1238 Words   |  5 PagesWilliam Shakespeare illustrates Marcus Brutus as a tragic hero in the play The Tragedy of Julius Caesar. Shakespeare defines tragic hero as a flawed character who has good fortune, and then loses all he has prized, leading to his misfortune, but a tragic hero must have that moment of enlightenment, that moment where a character can see that he caused his own downfall and receives the blame for his own tragedy. The Tragedy of Julius Caesar is based on an historical event- the assassination of JuliusRead MoreMarcus Brutus: The Tragic Hero Of Julius Ceasar972 Words   |  4 Pagesâ€Å"A man cannot become a hero until he can see the root of his own downfall.†(Aristotle). It should be noted that the Heroes downfall is his own fault as a result of his own free will, At times his death is seen as a waste of human potential. His death usually is not a pure loss, because it results in greater knowledge and awareness. In Julius Ceasar, William Shakespeare develops Marcus Brutus as the Tragic Hero whose ambition and naivety in his blind confidence in the nobility of man sparked guidanceRead MoreThe Tragedy Of Julius Caesar1483 Words   |  6 PagesThe Tragedy of Julius Caesar has catastrophe in more characters than just Caesar. William Shakespeare presented Marcus Brutus in a way that closely followed the example of a tragic hero. Brutus came from noble birth, had a fatal flaw, suffered a great tragedy. Brutus also fits into Shakespeare’s variation of tragic heroes, by giving Brutus complexity, internal conflict, and using choice over fate. Brutus’ ultimate goal is fulfilled by in part by his actions. Brutus thought his cause to be honorableRead MoreJulius Caesar by William Shakespeare560 Words   |  2 Pagestragedy is a story in where the main character obtains a flaw that leads to their downfall. This main character, called a tragic hero, possesses qualities that cause their demise. These qualities are called tragic flaws. In Julius Caesar, both Julius Caesar and Brutus can be seen as tragic heroes. However, Brutus is the most tragic hero of the two. The qualities that make Brutus a hero are also the qualities that lead to his downfall. He cares about everyone, and makes each decision for the good of RomeRead MoreEssay about Marcus Brutus: Praetor, Senator, and Tragic Hero858 Words   |  4 PagesMarcus Brutus: Praetor, Senator, and Tragic Hero The famous play The Tragedy of Julius Caesar, written by the esteemed playwright William Shakespeare, details the plight of Marcus Brutus and the other Roman conspirators against the dictator Julius Caesar. There are several tragic heroes in this play who suffer extreme downfalls. A tragic hero is a character who was once in high regard or standing but encounters a series of terrible events that contribute to a giant downfall from that position.Read MoreHonorable Betrayal Essay1044 Words   |  5 PagesHonorable Betrayal The William Shakespeare play The Tragedy of Julius Caesar tells the story of the assassination of Julius Caesar and the eight conspirators behind it. The play takes place in 44 B.C. in Rome. Marcus Brutus is the protagonist and face-man of the insidious conspiracy. He is also the tragic hero in this classic work of literature. Aristotle’s definition of the tragic hero is a character that has a character flaw, also known as hubris, and experiences a downfall from a high positionRead MoreTragic Hero In Julius Caesar829 Words   |  4 PagesWhat is a tragic hero? A tragic hero is a person, of noble birth, with heroic potential but doomed by fate. The hero struggles against his fate but eventually fails because of a mistake or even a flaw. In Shakespeare’s play, The Tragedy of Julius Caesar, a character may come to mind and fit this definition, Marcus Brutus. In this play, Julius Caesar’s ambition for power drove the honorable Brutus to think negatively about C aesar’s position of being the king of Rome. The honorable Brutus shows his

Sample APA Article Review

The purpose of the conventional sample APA article review is to summarize as well as evaluate the ideas and core principles highlighted by the author. It examines the main points and important claims of the presented information. An article review is focused on discussing the positive aspects of the article along with finding negative contradictions or inconsistencies within the selected text. It is necessary to remain impersonal when writing an article review in the APA formatting and be critical regarding the key concepts of the text. The professors L. Johnson and K. Caruson in their article â€Å"The Seven Sins of the American Foreign Policy† examine the basis of the United States international affairs with the other countries worldwide. The authors investigate a historical sequence of the events that the American foreign policy went through, in order to identify the core principles on which the international affairs of the country are shaken. To avoid the harmful effects of the identified system-related issues, they suggest to intervene through the educational force that would guarantee a bottom-up approach towards the process of solving major complications of the American foreign policy. The authors provide readers with seven fundamental defects that should be emphasized in order to perfect the international image of the country. The greatest concern to long-term U.S. foreign policy interests constitutes ignorance. In other words, common Americans are not competent in international matters because historically the society has evolved mass closeness towards the surrounding world. As a result, the authors sustain their credibility by presenting statistics, where local students were not able to locate countries on the map or even name some of the African countries. Lack of interest is the greatest issue for the future of the foreign policy as the country is currently dependent on the international community while serving a basis for safety and stability in the world. Moreover, L. Johnson and K. Caruson emphasize that precipitation of military activity can lead to harmful consequences on the national safety. The main strength of the article concerns the unbiased perspective on the current state of the events. The authors do not take a single Republican or Democratic approach towards the leading of a foreign policy. Instead, they provide reasonable arguments in order to present the question at the full scale. With the continual elections in the United States, this article is of immense value, as the country can transform its attitude to the international community based on the next ruling party on the political arena. The authors apply the logical sequence of the identified problems and sustain each notion with the historical evidence in relation to the research conducted by political scientists on the complicated area. An abundance of relative information creates an impression of the article being reliable and valid. Nevertheless, there is a controversy that the authors unintentionally hold in the content related to the possibility of solving the international issues within the country. This article has been written a decade ago, yet till now according to the researches, the situation did not evolve. The identified sins of the foreign policy have not altered, what creates a huge gap of misunderstanding within the international community. Furthermore, the authors did not regard an external side of the argument, identifying the attitude of other countries based on the extensive propaganda of the United States. To sum everything up, this article is an informative and strong research on the existing issues challenges of the foreign policy of the United States. Reference Anderson, P. (2015). American foreign policy and its thinkers. Brooklyn, NY, USA: Verso Books. Johnson, L., Caruson, K. (2003). The Seven Sins of American Foreign Policy.American Political Science Association, 36(1), 5-10. Johnson, L. K. (2012). National security intelligence: Secret operations in defense of the democracies. Cambridge: Polity. Pauly, R. J. (2010). The Ashgate research companion to US foreign policy. Farnham, England: Ashgate. Roberts, P. S. (2013). Disasters and the American state: How politicians, bureaucrats, and the public prepare for the unexpected New York: Cambridge University Press.

Oedipus Rex - Conflict, Climax, Resolution Essay - 2880 Words

Oedipus Rex - Conflict, Climax, Resolution Sophocles’ tragic drama, Oedipus Rex, sees the conflict develop and reach a climax, and this is followed by a catastrophe and resolution of the conflict. E. T. Owen in â€Å"Drama in Sophocles’ Oedipus Tyrannus† describes the climax of the drama: The central scenes contain the heart of the drama, that for which the rest exists – the drama of the revelation. The poet’s task here is to make its effect adequate to the expectation. He manages to spin it out to nearly 500 lines, and, instead of thinning, increases the excitement by spreading it out; it becomes a threefold revelation rising to a climax (36). Thus it is that Owen sees the conflict escalating†¦show more content†¦Thomas Van Nortwick in The Meaning of a Masculine Life describes Oedipus’ tragic flaw: As ruler, he is a father to Thebes and its citizens, and like a father he will take care of his â€Å"children.† We see already the supreme self-confidence and ease of command in Oedipus, who can address not only other people’s children as his own, but also be a father to men older than he is. But beyond even this there is, in the wretched posture of the citizens, the hint of prostration before a deity. We are â€Å"clinging to your altars,† says the priest. . . . That he also exudes a godlike mastery in the eyes of his subjects only strengthens the heroic portrait. . . .(21-22). The â€Å"godlike mastery† to which Van Nortwick refers is the same mastery which Creon in his final lines designates as the cause of the tragic dimension in the life of the protagonist: â€Å"Crave not mastery in all, /For the mastery that raised thee was thy bane and wrought thy fall.† Oedipus’ total mastery of the investigation resultant from the Delphic oracle’s declaration, yes, his forceful pursuit of the investigation against the wishes of Jocasta, Teiresias, the messenger and the shepherd, ultimately spells the downfall of King Oedipus. Abrams says that the conflict is between the protagonist and antagonist (225). Is the antagonist within Oedipus in the form of his â€Å"godlike mastery,† as Creon believed? Or is the antagonist weird/wyrd/fate, so that the oracleShow MoreRelated The Conflict, Climax and Resolution in Oedipus Rex Essay2737 Words   |  11 PagesThe Conflict, Climax and Resolution in Oedipus Rex  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚        Ã‚  Ã‚   Sophocles’ tragic drama, Oedipus Rex, presents a main conflict and lesser conflicts and their resolution after a climax.    In Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge, Charles Segal had the protagonist fares well in the first series of tests, but does poorly in the second series:    The first three tests are, respectively, Oedipus’ meetings with Creon, Teiresias, and then Creon again. In eachRead MoreAn Analysis and Comparison of Modern Tragedy in Drama1485 Words   |  6 Pagesconception on certain requirements. According to Aristotle the three most important variables that define a tragedy are plot, characters, and theme. Using Oedipus Rex as a sort of ideal, this philosopher demonstrates how a tragedy functions in order to evoke catharsis while exploring themes and human flaws, or mistakes. In Oedipus Rex, the main figure, Oedipus the King is a subject of fate, unable to escape himself and his desire to uncover the truth. In essence, this drama demonstrates the fall of a prominentRead MoreA Great Translator s Reflections On Oedipus The King1999 Words   |  8 Pagesconceived in diverse ways, in analyzing a work of literature† (300). The matter of the structure of Sophocles’ Oedipus Rex is a subject of varying interpretation among literar y critics, as this essay will reveal. In â€Å"A Great Translator’s Reflections on Oedipus the King,† Gilbert Murray, professor at Oxford University in England, cites structure as one of the reasons why he chose Oedipus Rex as a work of translation: On the whole, I can only say that the work of translation has made me feel even moreRead More The Themes in Oedipus Rex Essay2792 Words   |  12 PagesThe Themes in Oedipus Rex  Ã‚  Ã‚  Ã‚        Ã‚   Sophocles’ tragedy, Oedipus Rex, contains one main theme, which this essay will consider. The theme is the general doctrine or belief implicit in the drama, which the author seeks to make persuasive to the reader (Abrams 170).    In â€Å"Sophocles’ Moral Themes† Robert D. Murray Jr. cites a critic who is strictly moralist in the interpretation of the theme of Oedipus Rex:    Let C. M. Bowra speak for the moralists:    The central idea ofRead MoreEssay on Antigone - The Tragic Flaw2238 Words   |  9 Pagesdishonouring laws which the gods have established in honour.    Ismene is unmoved by the reasoning and sentiments of her sister: â€Å"I do them no dishonour; but to defy the State,-I have no strength for that.† Her conflict with her sister over the unlawful interment is not a serious conflict for either of the sisters. Ismene, in parting, accuses Antigone of foolishness in her bold plans: â€Å"Go, then, if thou must; and of this be sure,-that though thine errand is foolish, to thy dear ones thou art trulyRead Moretheme of alienation n no where man by kamala markandeya23279 Words   |  94 Pagesï » ¿ANTIGONE KEY LITERARY ELEMENTS SETTING This tragedy is set against the background of the Oedipus legend. It illustrates how the curse on the House of Labdacus (who is the grandson of Cadmus, founder of Thebes, and the father of Laius, whose son is Oedipus) brought about the deaths of Oedipus and his wife-mother, Jocasta, as well as the double fratricide of Eteocles and Polynices. Furthermore, Antigone dies after defying King Creon. The play is set in Thebes, a powerful city-state north of Read MoreThe Scarlet Letter and Hester5407 Words   |  22 Pagesallusion to a Greek myth in which Cadmus kills a dragon and plants his teeth. The teeth grow into warriors who fight each other until only few are left alive. This myth, incidentally, is the beginning of the story that eventually comes to concern Oedipus Rex, but there is no association to be made between that story and this one. 11. What was the first thing Pearl noticed in her mother? 12. What happens when Hester sees her reflection in Pearls eyes? This is still another example of intentional ambiguity

Sin Taxes Essay Example For Students

Sin Taxes Essay The squeeze is on. Demand for government to decrease its reliance on sales, property, and income taxes as sources of revenue is continuing to rise, leaving policy makers scrambling for new, less painful sources of revenue. Also going up are the costs of providing public services, entitlement programs, and conducting the other various functions of government. This upward spiral requires that they simultaneously look for better, cheaper, and more effective spending strategies. It is no wonder that policy makers are starting to feel the pinch. To make things all the more uncertain, we are facing a federal debt that seems to swell exponentially on a daily basis and a national economy with the moodiness and sensitivity of a manic-depressive. All in all, it is a situation that demands a whole new degree of creativity from all levels of government. This cathartic hour in the fiscal evolution of our nation has pressured out a myriad of new and unorthodox strategies for spending cuts and new sources of revenue. One group of these new strategies, termed sin taxes, (so called because they are directly associated with what is traditionally considered the seedier side of American life), are gaining widespread popular support and are being considered a silver lining without the dark clouds by some in the federal government and by many financially strapped state legislatures. Sin taxes are really two different types of revenue strategies with two different outlooks, combined under one name. The first of the two categories is government sponsored lotteries and legalized gambling. The second category is excise taxes. The two differ in that legalized gambling tends to be an encouraged vice, an attitude fostered by the states hope of improving revenues.On the other side, excise taxes are often levied on products considered socially unvirtuous, products like alcohol and tobacco. In these cases they are used as a deterrent in order to discourage the use of the products they are applied to. Lotteries and GamblingLotteries and gambling are not really new concepts in the search for sources of revenue. The first Continental Congress made the use of lotteries to help finance the Revolutionary War. You could say that, in more than one way, we all owe our freedom to mans willingness to take a gamble. Benjamin Franklin, George Washington, and Thomas Jefferson all ran their own private lotteries. There was a time, however, not too long ago, when gambling was held in notorious regard by the general public. In fact, gambling houses were considered only slightly above opium dens in their insidiousness. Gambling was made out to be a hideous social monster that stole bread from the mouths of children, made families destitute, and put people out of their homes. At various times in our history gambling has created, in the minds of decent citizens at least, visions of the illicit. Images of slick, smooth talking professional cheats beguiling the public. In 1955,baseball commissioner F ord Frick considered wagering so corrupt he prohibited major leaguers from overnighting in Los Vegas.In the last decade or so, however, viewpoints have changed dramatically. Public perspective on gambling has turned almost one hundred and eighty degrees. A recent survey conducted by Harrahs, a casino company, found that fifty-one percent of American adults believe casino entertainment is acceptable for anyone. Another thirty-five percent say its acceptable for others, but not for me.'This drastic change of attitude may seem surprising at first but that surprise quickly fades once you realize what American societies moral indignation has been up against. An increasingly bleak outlook in finding and maintaining employment and a growing uncertainty in maintaining financial security teamed with an aggressive marketing and public opinion campaign launched by casino interests, state governments, and Indian reservations has almost certainly had a hand in eroding anti-gambling zeal. State a nd city governments further untarnished gamblings image by imprinting the funds they created for special programs like education and seniors funds to make it more agreeable to constituents. Other things, such as the many churches that use bingo as a way to raise funds, have contributed as well. The change of casinos from family run businesses to the tidy glow of corporate ownership has rinsed away the stain